Articles
Yolanda Hernaiz-Martínez
DOI: https://dx.doi.org/10.12795/REN.2025.i29.1
- “A DESERT DESERTED”: HYDROFICTIONAL RELATIONALITY IN CLAIRE VAYE WATKINS’ GOLD FAME CITRUS (2015). Pp.: 23-39
Andrea Robin Ruthven
DOI: https://dx.doi.org/10.12795/REN.2025.i29.2
Reviews
- BOOK REVIEW OF "BUSINESS IS GOOD. F. SCOTT FITZGERALD, PROFESSIONAL WRITER", BY JAMES L. W. WEST III. Pp.: 1-4
Juan Ignacio Guijarro
DOI: https://dx.doi.org/10.12795/REN.2025.i29.3
CARMEN GOMEZ GALISTEO
DOI: https://dx.doi.org/10.12795/REN.2025.i29.4
Noelia Hernando-Real
https://dx.doi.org/10.12795/REN.2025.i29.14
Posthumanism
Rubén Peinado Abarrio
https://dx.doi.org/10.12795/REN.2025.i29.5
Amaya Fernández Menicucci
https://dx.doi.org/10.12795/REN.2025.i29.11
MÓNICA CALVO PASCUAL
httsp://dx.doi.org/10.12795/REN.2025.i29.6
Naiara Berganzo-Besga
https://dx.doi.org/10.12795/REN.2025.i29.7
Adriana Kiczkowski
https://dx.doi.org/10.12795/REN.2025.i29.8
Stephanie Rincon Ramos
https://dx.doi.org/10.12795/REN.2025.i29.9
- Transgressing the Code of Desire: Queering the Posthuman in Annalee Newitz’s Autonomous. Pp.: 89-111
Laura Larrodera-Arcega
https://dx.doi.org/10.12795/REN.2025.i29.10
Laura García Soria
https://dx.doi.org/10.12795/REN.2025.i29.12
Richard Hardack
https://dx.doi.org/10.12795/REN.2025.i29.13
